Friday, August 31, 2018

Time Trap Portrait Instagram Photo - August 31, 2018 at 08:54AM

9:18:00 AM


Shared by Time Trap Photography Instagram page. I'm dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
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31. August 2018

4:03:00 AM

Das Bild des Tages von: Marija Sabanovic


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Thursday, August 30, 2018

#instakwer #42

10:03:00 PM

Ein kleines Experiment: Während ich normalerweise immer mit einem bestimmten Konzept, einer Idee im Kopf auf Instagram nach dem Hashtag #instakwer suche, um eine Auswahl zu erstellen, habe ich dieses Mal versucht, meinen Kopf völlig frei zu machen und die Bilder genommen, bei denen meine Augen länger hängen geblieben sind.

Das war zugegebenermaßen etwas riskant, denn wie erwartet gibt es in diesem instakwer verschiedenste Genres. Von Architektur über Portraits bis zu surrealen Landschaften. Es gibt Schwarzweißbilder ebenso wie Farbfotos und nicht zuletzt knackig scharfe Digitalaufnahmen ebenso wie Polaroids. Und dennoch passt alles irgendwie zusammen, finde ich. Wer weiß, was mein Unterbewusstsein wohl im Sinn hatte, bei dieser Auswahl.

Gesicht mit Haaren vor den Augen

© catalinakoe + Titelbild

Ihr möchtet selbst ein Bild einreichen? Dann nutzt auf Instagram den Hashtag #instakwer und vielleicht seid Ihr schon beim nächsten Mal mit dabei.


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Time Trap Portrait Instagram Photo - August 30, 2018 at 08:38PM

9:18:00 PM


Shared by Time Trap Photography Instagram page. I'm dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
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Amazing Surreal Cityscapes – Aydın Büyüktaş Flatland

11:09:00 AM

Aydın Büyüktaş, is a Turkish artist, who, inspired by the book of  Edwin Abbat's “Flatland: A Romance of Many Dimensions.” has created bent and distorted aerial views of cityscapes entitled “Flatland and Flatland II”

Aydın says, “We live in places that most of the times don’t draw our attention, places that transform our memories, places that the artist gives another dimension – where the perceptions that generally cross our minds will be demolished and new ones will arise.”

These works aim to leave the viewer amazed by the surprising and surreal visuality, that is, at its heart, quite ironic. It leaves us a multidimensional, even romantic view of the world.

Enjoy some of the surreal images from Aydın's Flatland II series:

Red Road. Image by Aydın Büyüktaş

Red Hills on the Road. Image by Aydın Büyüktaş

Nursery. Image by Aydın Büyüktaş

Junkyard. Image by Aydın Büyüktaş

About The Photographer: Aydın Büyüktaş

Aydın Büyüktaş is a photographer and visual effects, 3D, animation and video artist. Born in Ankara, he realized early on that a degree from Bilkent University's Tourism Management Department wasn't his dream, and he moved to Istanbul where he worked in film and advertising.

Aydın's love of the surreal, visual effects and animation was fostered working for avant-garde companies such as Sinefekt and Makinefx.

After finishing his education in the department of photography of Mimar Sinan Fine Arts University,  he continued his life as a multimedia artist. By the end of 2015, his new series “Flatland” had gained international acclaim and he has continued this series with “Flatland II”.

Quarry. Image by Aydın Büyüktaş

Interstate. Image by Aydın Büyüktaş

Harvest Time. Image by Aydın Büyüktaş

Farm with Bales. Image by Aydın Büyüktaş

Farm in Desert. Image by Aydın Büyüktaş

Inspiration From Science Fiction

Aydin says, “When I became interested in visual effects and animation in 2003-2004, the idea that I could create surreal places that I saw in my dreams during my childhood gradually started to occur in my mind.”

“During my childhood and adolescence, I used to read science fiction series of writers such as Isaac Asimov and H.G. Wells and Scientific and Technical journals. These books made me question the issues such as wormholes, black holes, parallel universe, gravitation, bending of space and time.”

Farm and Interstate. Image by Aydın Büyüktaş

Empty Car Park. Image by Aydın Büyüktaş

Desert Railroad. Image by Aydın Büyüktaş

Cow Farm. Image by Aydın Büyüktaş

Cemetery. Image by Aydın Büyüktaş

Here is a Little Information Aydın Has Shared With Us About the Flatland II Series:

  • The images were shot in places that are in states of USA (Arizona, Texas, California and New Mexico)
  • Aydın searches the areas using google earth and says that the planning takes about 2 months.
  • Aydın also finds many places by chance while on shooting trips.
  • Shooting the photos in these series took about one month and about 10,000 miles of travel.
  • Creating collages takes about two months.
  • Collages were created by combining between 18 – 20 photos.
  • Aydın shot about 45 places and chose about 35 places to create the collage. The final 19 collages were chosen from the 35 collages created.

Bridge. Image by Aydın Büyüktaş

BNSF Yard. Image by Aydın Büyüktaş

Baseball Field. Image by Aydın Büyüktaş

American Football Field. Image by Aydın Büyüktaş

Abandoned Greenhouse. Image by Aydın Büyüktaş

If you are interested inAydın’s work, you can see more of them on his website below and follow him on his social media accounts below.

If you are interested in creating digital art, you should check out Jimmy McIntyre's Art of Digital Blending.

Further Resources:

  1. A Brief Introduction To Adobe Photoshop
  2. How To Make Double Exposures In Photoshop
  3. Begin Your Journey To Mastering Fine Art Grunge Photography
  4. A Perfect Introduction To Fine Art Photography And Its Finesse
  5. What Is Fine Art Photography And How To Do It?
  6. 120 Photoshop Tips, Tricks And Fixes

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Why You Should Be Placing Your Subjects Off-Centre

8:09:00 AM

Placing your subject off-center in your frame can seem unnatural. When we think about our subject, it seems logical to just plonk it in the center of your image and, ta-da, you have your masterpiece. Well, sometimes, it really isn't that simple. Placing subjects in the center of the frame can lead to static images that are drab and contain no context or “life”. 

When Will Your Subject Be In The Centre Of Your Image?

Ok, so as always, rules and precedents are always there to be broken. So when might you place your focal point in the center of an image?

Answer: You might put your subject in the center of your photograph if you are capturing great symmetry.

If you take a look at the photograph below, the “light at the end of the tunnel” is in the center of the frame, but the symmetry and geometry are what makes this image dynamic.

However, most subjects benefit from having the focal point off-center. 

Why Should You Place Your Subject Off-Center?

Photo by Federico Alegría

In short, moving your subject away from the center of the image makes your eye wander around the photograph until it finds the subject, thus the person viewing your image is taking in the whole story of the photograph. There are a couple of compositional “rules” that will help you with this –  ie the “Rule of Thirds” and “The Golden Ratio”.

Quick Tip – What Is The Rule Of Thirds?

The Rule of Thirds is a useful technique for inserting some dynamism in your photographs. By subdividing your frame into thirds with two vertical and two horizontal imaginary lines (see below) you find the areas in your frame where you should place your focal point.

You can use one or more of these intersections in your image to capture your subject in such a way that is aesthetically pleasing and also leads the viewer through your photo adding context and interest.

Where the horizontal and vertical lines meet is your focal point

Quick Tip: The Golden Ratio

So the Golden Ratio (The Divine Section) is more complex. Very simply, it is a compositional rule that dictates that a well-composed image can be achieved by dividing the frame by 1.6 several times.

Using the golden ratio and applying the ratio or 1:1.16, you'll get a golden rectangle and, much like the rule of thirds, you can use this to place your subject creatively off-center.

Jacob Hohmann Brown

Push Your Subject Even Further Out

So, you can also push your subject right to the edge of the frame as well. It won't work every time, but when it does, it really is a very clever move.

Well, beyond the cinematic feel it gives to a shot, it really enhances the drama to a scene by changing the mood of a regular photograph. While composing a shot, you should pay close attention to your viewfinder (or your LCD screen if your camera doesn't have an optical one) in order to see if the framing of your image looks good or not.

Photo by Federico Alegría

Composition is a difficult subject to get the hang of, especially if you are new to photography. One of the simplest ways to improve the dynamism and interest of your images is to place your subject off-center in your frame.

For a great guide to learning about composition, take a look at Kent DuFault’s Understanding Composition. This will give you a great foundation and help you take your photography and creativity to the next level.

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Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
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About Us

Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque

The lens in focus

“Life is like a camera. Just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot.” — Unknown

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