Friday, September 2, 2016

This is What the Photography World Owes To Andy Warhol

6:02:00 AM
photography andy warhol

Image by Luis Diaz

FREE BONUS: How about improving on your portrait photography techniques by downloading our free Portrait Photography Cheat Sheet. Have it on you for quick tips on how you can take your photography to new heights! Download it here.

Andy Warhol is well known for his pop-art paintings and prints of soup cans, Elvis triptychs and general admiration of the consumerist aesthetic, however, there’s a largely unappreciated side to Warhol’s work, his photography, primarily his candid Polaroids and portraits which he’d later refer to when creating commissioned work.

andy-warhol-149796_1280

One thing everyone should know about Warhol is his almost unhealthy obsession with documentation, even now, years after his death in 1987, works are coming out of the woodwork, people are still making their way through his documentation of the consumerist America lifestyle of the 60’s, 70’s and 80’s.

Andy Warhol was the figure of the art world in the 70’s, immersed among celebrity, consumer and popular culture so deeply one could argue that he himself was part of his work, his attitude and personality coming through in all the works he made.

So, why is Warhol’s photographic work of such importance within contemporary photography? Because Warhol was the proto-hipster.

Within today’s society photography saturates our immediate surroundings, whether it’s as social media content or advertisements in newspapers and magazines photographic content is more alive than ever, almost to the point that it’s beginning to become a pillar of culture.

However, in Warhol’s day, the accessibility of photography was only just coming to fruition and Warhol used this to his complete advantage.

Armed only with a Polaroid camera, Warhol would take often more than 36 shots per day, documenting every event he attended, the people he met and the culture he saw and often appropriated this into his own satirical and societal artwork.

Some of Warhol’s most famous works, namely his silk-screens of Marilyn Monroe and Elvis were based upon pre-existing photographs he found in newspapers or magazines. This meant he often ended up with various claims to the true authorship of his work, thus Warhol took the camera into his own hands and began to create his own material to take inspiration from.

marilyn-monroe-1318440_1280

Has this article prompted some inspiration? If you’re passionate about giving photography a go in a more creative light, then this course is for you “Fine Art Grunge Composition” –

“This Cutting Edge Course Will Awaken Your Creative Genius and Reveal the Secrets the Pros Use to Create Stunning Works of Art.”

Why was the Polaroid so important to Warhol? What a Polaroid does is create an image – at least for Warhol – that blurs the lines between original artistic expression and the serialized repeatable imagery of advertisements and media.

So, really, Warhol was the first Instagram(er), taking photos of products, people, buildings, parties etc. without any real pre-existing artistic notion, opening the idea that the photograph itself can hold its own when it comes to art.

FREE BONUS CONTENT: How about improving on your portrait photography techniques by downloading our free Portrait Photography Cheat Sheet. Have it on you for quick tips on how you can take your photography to new heights! Download it here.

If one was to read my previous article on “Whether or not photography is art?” you’d realize that with the invention of photography artists began to move away from realism and made large strides towards cultural and artistic abstraction.

However, quite ironically, what Warhol was doing with such a simple ‘easy’ device such as a Polaroid camera, was creating a new type of realism, a sort of commercial realism.

Here the photograph is left to its own devices and the viewer is presented with a very simple representation of the subject without abstraction, the photograph as its own within the beginnings of a culture rife with aesthetic saturation and consumer desire.

Another reason Warhol’s photographs are of seminal importance is that due to its connotations his photography blurred the lines between what is known as ‘high and low’ art, Polaroids amongst the abstract expressionists, an odd and somewhat dangerous juxtaposition when you think about it.

So, in small part, photographers have Warhol to thank for the idea that ‘simplistic’ photographs with ordinary subject matter can now be considered of worth, or on par with what some may consider ‘greater’ works of art.

Much like our contemporary culture, Warhol found it difficult to sit in and do nothing, he had to leave his house or factory and experience his immediate surroundings.

This in itself holds various connections with our current culture, with friends and acquaintances documenting their nights out, their dinners and their personal experiences via Instagram, Facebook or Twitter, often unknowingly in a realist way.

Yes, often the photographs are filtered and tweaked to give the idea of romanticism or grittiness, however, I feel today’s admiration and addiction to photographic documentation of experience is not that disconnected to what Warhol was getting at in the late 70’s and early 80’s.

The idea that there may be something within these mundane and everyday experiences, that there’s always something to be found and documented, and not just exhibited in galleries, I feel has significant cultural importance.

Warhol’s admiration for celebrity culture is not unlike our own too, with countless celebrities having Instagram accounts filled with realist pictures of their everyday lives, often with countless shares and likes.

Platforms such as Instagram and Twitter really hold Warhol’s famous five seconds of fame quote true:

“In the future, everyone will be world-famous for 15 minutes.”

It’s almost prophetic that sites that now host hundreds of thousands of images are also the same sites that can make anyone famous for fifteen minutes, a celebrity culture where the torch is passed on a daily basis.

With people finding their cultural feet with a simple image of a cat, or creation of a meme, the last 10 years and been entirely Warholian, at least where the internet is concerned.

Warhol was one of the first artists (and people) to take the trivial and raise it to become something larger than its immediate self, a simple in-focus Polaroid of a person became akin to a renaissance portrait, or an image of a dog held a heavier emotional weight than it would in previous years.

andy-warhol-bridge-737249_1280

Summary

So in conclusion, the importance of Warhol’s photographic work, isn’t so much to do with the aesthetic itself, but to do with the overall change in appreciation of the subject.

A well-filtered shot of some fajitas, a well-focused image of a kitten or a kitsch hipster-gram of a seascape, perhaps our cynicism should be left at the door when viewing these images, and we should attempt to look at the root.

What is it that this saturation of photographic imagery is really saying?

That we want to have our fifteen minutes of personal artistic expression, in posting a simplistic photograph of everyday life, the mundane, the trivial, we’re attempting to acknowledge that we exist and that we have experiences that are personal to us and wish to allow others to view?

A culture wherein everyone is simultaneously the audience and the actor, experience as experience.

FREE DOWNLOAD FOR READERS: How about improving on your portrait photography techniques by downloading our free Portrait Photography Cheat Sheet. Have it on you for quick tips on how you can take your photography to new heights! Download it here.

Has this article prompted some inspiration? If you’re passionate about giving photography a go in a more creative light, then this course is for you “Fine Art Grunge Composition” –


“This Cutting Edge Course Will Awaken Your Creative Genius and Reveal the Secrets the Pros Use to Create Stunning Works of Art.”

Further Resources

The following two tabs change content below.
Profile photo of James D Ellis

James D Ellis

Profile photo of James D Ellis

Latest posts by James D Ellis (see all)

Let's block ads! (Why?)


Light Stalking Photography Blog and Community http://ift.tt/2c6OzES

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

Thursday, September 1, 2016

Canon's New Cinema Stars: Meet the EOS C700 and XC15

10:05:00 PM


Canon's New Cinema Stars: Meet the EOS C700 and XC15

SEPTEMBER 01, 2016

By Greg Scoblete

Canon has a new flagship cinema camera coming to market in January. The EOS C700 sports a new design and a new Super 35mm 4.5K sensor with up to 15 stops of dynamic range when using Canon's Log 2 profile. 

You'll record 4K at 4096 x 2160 at up to 60p to a pair of CFast 2.0 cards in Canon's XF-AVC2 codec or in Apple ProRes (10-bit, 422). To record a RAW video file, you’ll need an external recorder. For faster frame rates, the C700 will record 2K ProRes at up to 180 fps. More frame rate/recording quality options will be offered via a firmware upgrade due in March, 2017.

Canon will offer the C700 in both EF and PL mounts. You'll be able to switch mounts and replace the existing sensor for a version with a global shutter at a Canon service facility. The Canon EF mount will support Dual Pixel CMOS AF technology, while the PL mount will not. 

The EOS C700 is the first Cinema EOS cameras to support anamorphic (2.39:1) shooting  with a “de-squeeze” function for monitoring.  It also supports the Rec.2020 color space, which is the color space that new 4K TVs will offer in 2017. You'll find internal ND filters good for between 2 and 10 stops of filtration

The EOS C700 and EOS C700 PL are set to arrive in December 2016 for $35,000. Canon will also sell a variant of the C700, the PL GS, that offers a 4K sensor with a global shutter to minimize distortion when filming fast-moving subjects. It will have a stop less dynamic range than the C700 with rolling shutter and won't support Dual Pixel CMOS AF. It's due in January for $37,000.

XC15

Canon is updating its hybrid 4K camera as well. The XC15 builds off of last year's XC10 with the inclusion of several "Look" modes that mimic the colors of the EOS Cinema cameras, so operators can mix-and-match them more readily. The XC15 will include an MA-400 microphone adapter to support audio recording with XLR-input mics.

The XC15 uses a 1-inch CMOS sensor for 4K recording up to 30p (8-bit, 422) to CFast 2.0 or SD memory cards. It can capture up to 12 stops of dynamic range using the Canon Log profile. Full HD can be recorded at up to 60p. It has a built-in 10x optical zoom lens (27-273mm) with optical image stabilization. 

It ships next month for $3,000. 

Let's block ads! (Why?)


Gear RSS http://ift.tt/2cjJUQk

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

4 Tips for Using for Live View to Get Sharper and More Creative Images

1:08:00 PM

Live View versus optical viewfinder on your DSLR, pros and cons?

Pascal

By Pascal

If you shoot with a DSLR you probably use the same method for taking pictures that most people do, holding the camera up to your eye and looking through the viewfinder before snapping the shutter button.

This tried-and-true method has several benefits, including letting you see precisely what you are going to take a picture of before you click the button. Also, allowing you to track fast-moving subjects without any lag time, and even stabilizing the camera due to the fact that it’s being held up against your face instead of away from your body.

Getting this shot using the optical viewfinder wouldn't have been impossible, but it would have been much more difficult.

Getting this shot using the optical viewfinder wouldn’t have been impossible, but it would have been much more difficult.

However, the Live View function that is built into most DSLR cameras has a few tricks up its sleeve that can greatly benefit you as well. While not useful in ever single photographic situation, Live View certainly is worth a second look if you are the type of person who normally casts it aside in favor of the traditional viewfinder.

#1 Make sure your subject is perfectly focused

When you look through the optical viewfinder on your camera, you will see an array of rectangles or dots which each represent points on which your camera can focus. This is a result of your camera’s phase detect focusing system which is present in nearly every DSLR. While it usually works just fine, there are situations in which it can present a bit of a problem.

For one, the subject on which you are focusing can sometimes be outside the boundary of your focusing points, which makes it quite difficult to get it tack sharp even with something like the focus-and-recompose technique. Also, even with using the built-in focusing points it’s not always a guarantee that your subject will be completely in focus, especially if it is very far away like when shooting landscapes or scenic vistas.

Live View helped me get this flower focused just how I wanted, and instead of laying in the mud I used the flip-out screen to help me compose the picture.

Live View helped me get this flower focused just how I wanted, and instead of laying in the mud I used the flip-out screen to help me compose the picture.

Zoom-in on Live View

Live View is the magic bullet in these situations, as you can use it not just to frame your shot, but to zoom in close on a specific area to make sure it is focused. Think of this as though you were holding a magnifying glass up to your camera’s viewfinder when focusing on your subject, and using that as the basis for judging whether it is tack sharp or just a bit fuzzy. This obviously works best if your camera is firmly attached to a tripod, but even if you just set it on a solid surface such as a shelf, rock, post, or other object, you should be fine.

Live View can be a good way to make sure your subjects are tack sharp and perfectly focused.

Live View can be a good way to make sure your subjects are tack sharp and perfectly focused.

Each camera handles the zoom-in function a bit differently, but for most DSLRs there will be an option in one of the menus to enable a button on your camera to zoom in during Live View, and even set the percentage of zoom which tells you how much it will magnify the image. If your subject is not moving, and neither is your camera, this technique is one of the best possible ways to make sure everything is tack sharp precisely how you want it to be (using manual focus in this instance can be helpful also).

#2 See previews of camera effects in realtime

One fun trick that many DSLR manufacturers have added to their cameras is the ability to do various types of effects like selective coloring, miniature, and black-and-white, among many others. Think of them as though you are adding Instagram filters, but in realtime, as you are taking your pictures instead of on your phone afterwards.

Using Live View as you activate various scene modes is a fun way to experiment with different types of creative image effects. It also has the added bonus of allowing you to play around and see how the options affect your photography before you even click the shutter.

A common camera effect is "miniature," which mimics a tilt-shift lens. It's fun to play around with these built-in effects using Live View which shows you a preview of what the final image will look like as you compose it.

A common camera effect is “miniature,” which mimics a tilt-shift lens. It’s fun to play around with these built-in effects using Live View, which shows you a preview of what the final image will look like as you compose it.

Some photographers frown on this type of creative expression, and prefer to leave these effects and scene modes to Photoshop, where things can be endlessly controlled, changed, and tweaked to perfection (often ad nauseam). But, my own personal stance is, if you’re making pictures you enjoy by using simple in-camera effects, then why not keep doing it?

Some of the built-in modes are a little cheesier than others, and you usually can’t shoot in RAW format. But using Live View to preview the different sorts of photography effects you can explore, is a great way to try something new and add a little spark back to your creative juices at the same time.

#3 Depth of Field preview

This one piggybacks pretty well off of the previous item, but I wanted to list it separately because it is so useful on its own. When you change the aperture and focal length of your lens, you are also changing the depth of field, or area that is in focus. It’s a difficult concept to understand since it involves several different variables, including how close you are to your subject and how far away is the background.

This confusion can be compounded by the fact that your optical viewfinder doesn’t really show you what to expect when you click the shutter button. Some DSLR cameras have a Depth of Field Preview button that allows you to close down the aperture and see what it will look like when you take a photo (it also gets dark if you use a small aperture), but another way to do this is by using Live View.

It really helped to see a preview of the depth of field by using Live View when composing this image.

It really helped to see a preview of the depth of field by using Live View when composing this image.

How it works

When you look through the viewfinder on a DSLR camera you are seeing through the lens while it is opened to its widest possible value. But, when you click over into Live View the aperture blades close down to the value you’ve specified, or that which the camera thinks is appropriate, depending on the shooting mode you are using.

This makes it possible to see precisely what the picture will look like when you press the shutter button. So, if you focus on an object while in Live View, you will see a more accurate representation of the depth of field than looking through the viewfinder. This is incredibly useful when shooting macro photos, because it’s difficult to understand just what is in focus and what is not unless you can see it yourself using Live View.

Depth of field can be extraordinarily thin when shooting macro pictures, and using Live View to see a preview of the final result is a good way to get the photo to show up just how you want.

Depth of field can be extraordinarily thin when shooting macro pictures, and using Live View to see a preview of the final result is a good way to get the photo to show up just how you want.

#4 Tap to focus

One final trick that Live View offers, is the ability to actually use it for the act of focusing itself. As more cameras start implementing touch screens, manufacturers like Canon have started allowing users to tap on the screen itself to actually focus the camera, much in the same way you do on your mobile phone.

While this feature is not available on all DSLR cameras, and though some with touch screens don’t have focusing enabled, if you do have a camera that allows you to tap-to-focus you might find it incredibly useful and well-worth your time. This won’t do you any good if you are shooting sports, action, or wedding photos, since the touch-based focusing isn’t as quick. But if you are out shooting casually it’s something you might really enjoy trying.

It even has some advantages over traditional viewfinder-based focusing if you are shooting at extreme angles, such as very low to the ground. More and more cameras are offering flip-out screens so you can swivel it, instead of crouching down, and then tap it to lock focus.

If you have a touchscreen, using Live View can be a great way to make sure your subject is focused exactly how you want by simply tapping the area you want to be in focus.

If you have a touchscreen, using Live View can be a great way to make sure your subject is focused exactly how you want by simply tapping the area you want to be in focus.

Summary

These are just a few of the options available to you if you use Live View on a DSLR. If you are more of a traditional shooter who prefers the optical viewfinder I hope you at least give Live View a chance. It’s not going to be the best option in every situation, but you may find it to be more compelling and useful than you realize.

If you do like shooting in Live View and have your own tips to share, please leave your thoughts in the comments below!

Let's block ads! (Why?)


Digital Photography School http://ift.tt/2bX0iXN

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

How to Shoot Vertical Panoramas (Vertoramas)

7:14:00 AM

PWC-Oregon2012-0205-0684-PanoThe Eiffel Tower. The Statue of Liberty. Redwood trees. Not all the world fits into our horizontal frame of it. Some of it climbs up and up! For those images you need to learn a new technique; vertical panoramas, or vertoramas as they are known.

What are vertoramas?

A vertorama is simply a panorama, but shot vertically. It is for the tall things of the world, and uses much of the same techniques as a panorama, but with some important considerations I’ll touch on later in this article.

They are as simple as two shots combined to capture more foreground, or a chance to capture the tallest of the tall things on the planet without a wide-angle lens. They are a great option when you don’t have a super-wide angle lens, or you want to capture more detail than that wide angle lens will provide in one shot.

Picking the best subjects

Tall things are the obvious choice for making vertical panoramas, but also look at your normal images to see what can be included in the foreground.

For instance, this view of Mount Lassen in Lassen Volcanic National Park is pretty enough.

PWC-Travel2016-0624-8343

But what else is going on in the foreground? And not just the foreground, but the extreme foreground?

PWC-Travel2016-0624-8329-Pano

A Vertorama can take your normal landscape image and give it depth, like this image of Delicate Arch in Utah.

I pick subjects where my vantage point gives me something above and below a level view of the subject. This view of a temple in Bhutan is such a location, as I was on a balcony with subjects below and certainly above.

Vertoramas are also used to emphasize the enormity of an area. In this case I used my iPhone’s panorama mode, turned the phone sideways, and kept panning up and up, and then back over the top of my head (flexibility is a key with this format!) to show the grandeur of the structure. Shot inside the amazing Cathedral Notre-Dame de Paris.

PWC-France2015-083121-0711

Waterfalls, statues, buildings, trees, landscapes…they are all ripe for the format.

How to shoot vertoramas

Shooting vertoramas is not much different than shooting panoramas, but there are some important considerations. First, if you need help with panoramas, dPS writer Barry J Brady has a good article on them here: How to Shoot Panoramic Photos. The settings are the same for vertical panos, but you need to make sure you can pan all the way up with your subject, which is sometimes hard to do with a tripod.

Where it gets a little trickier is in the distance of your subject. This is fundamentally different than panoramas, because for the most part, panoramas have a roughly equal distance from the camera to all parts of the scene. Roughly.

But a vertorama often has a subject leading away from it and this can cause distortion.Can you imagine the truck of this redwood tree being much closer than the 200 foot tall top?

PWC-Sequoia in Mariposa Grove

In which case, give yourself plenty of room at the bottom of the image as that will be your constriction point when you go to crop. I shoot landscape orientation (camera in horizontal position) for almost all of my vertoramas, in order to have enough space to crop.

Editing Options

I find more and more that the PhotoMerge -> Panorama feature in Adobe Lightroom works just fine for vertoramas. So does the same feature in Photoshop proper, maybe 80% of the time. Where it comes up short is in the variety projections.

PWC-Vertorama-screenshot

If you are looking for a little more power, try AutoPano Giga by Kolor (now owned by GoPro). There are a number of projections that can help with vertoramas, including Hammer. Plus it has the fun Little World projection that helps make those funky, little world images.

Both programs are run just as they would be for a horizontal panorama.

Things to consider

Sometimes I look at vertoramas and I think they have no place in our digital world. When so much of what we view is on a horizontal screen, it’s hard to see their full beauty. You can turn your phone sideways, but you’re still missing the scale of the shot. Have you found yourself scrolling a lot in this article, and maybe not even seeing the whole images?

PWC-France2015-083117-0943-Pano

That being said, I love how vertoramas look when they are printed. Printing can be done at Costco, Walgreens or any place that prints panoramas.

Vertoramas can be trickier to shoot than a regular panorama as your tripod doesn’t typically pan up and down as smoothly as side to side. I suggest getting more acquainted with shooting these images handheld. It’s not hard to do.

Also, use your smartphone camera. That panorama mode works perfectly fine when you pan the camera skyward. Most newer phones even realize you made a vertorama and flip the image so it looks proper.

Lastly, vertoramas don’t all need to be skinny and tall. They are also used to create a more formal aspect, even a nice square, of a subject hard to capture in a single frame. This image of Central Park in New York is an example as it was shot with a 50mm lens on a crop sensor camera, far from being wide angle. But the result is a nice, wide image that gives more depth to the scene. See also: 5 Steps to Rock the Brenizer Method.

A vertical panorama of trees and tourists in Central Park, New York City, New York, USA

A vertical panorama of trees and tourists in Central Park, New York City, New York, USA

Conclusion

Vertoramas are a fun way to explore the world. They stretch our normal view, and force us to think creatively to capture what we are after. I personally love the format for what the extra foreground can bring to the story.

If you’ve shot vertoramas before, what are some of your favorite subjects? Any other advice you might give to beginners? Please share in the comments below, along with your vertical panorama images.

Let's block ads! (Why?)


Digital Photography School http://ift.tt/2c3FBZ0

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

About Us

Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque

The lens in focus

“Life is like a camera. Just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot.” — Unknown

TIME TRAP PHOTOGRAPHY COPYRIGHT 2016