Tuesday, September 29, 2020

Photographer Capturing Proposal Gets Hit by Cyclist on the Brooklyn Bridge

10:49:00 AM

Photography is fraught with danger no matter what you’re capturing.

That maxim was proven true when a couple and their photographer had the whole thing wrecked – literally – by a passing cyclist zooming by them while on the Brooklyn Bridge.

To be fair, you probably shouldn’t take pictures in the middle of any thoroughfare but, then again, it’s always incumbent upon the person in a vehicle to be cognizant of pedestrians in front of and around them.

Chris Vigo was proposing to his girlfriend Angelina Rivera and, just as he was about to ask the big question, the photographer friend on hand stepped into an active bike lane and got run over, PetaPixel reports.

Everyone walked away from the incident unscathed and now the proposal is part of the larger library of viral clips. And, just in case anyone was wondering, Angelina said “Yes” to Chris’ proposal. For what it’s worth, most proposals don’t go viral for this kind of reason so, all in all, a pretty wholesome transaction since no one got hurt in the end.

You can watch the video from Inside Edition by clicking here.

It is sort of similar to that story we brought you a while back except for sans wedding proposal and in the middle of a railroad track instead. You can check that story out here in case you missed it.

Have you ever had something like this happen to you while you were on a shoot? Let us know your story (and your thoughts on this story) in the comments section below.

Be sure to check out our other photography news articles on Light Stalking by clicking this link right here.

[PetaPixel]

Let's block ads! (Why?)


Light Stalking https://ift.tt/3jjp7eE

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

A Photoshop Workflow That Can Save You Time

7:49:00 AM

Any work that we process is completed following a particular methodology in order to achieve perfection. You actually follow a workflow from start to finish, completing various steps in between. In this article, we will look at the “Photoshop Workflow” for efficient post processing.

So, What Is A Workflow?

It is a sequence of processes through which a piece of work passes from initiation to completion. This applies to almost anything we do and the same applies to photography and post processing.

Not everyone sticks to a particular workflow when it comes to photography and there is no standard workflow. Each photographer develops their own depending on how they work and what works best for them.

When it comes to digital photography, the workflow is the process from creation of the image to the end product and it has many steps involved, such as:

Our main focus here is the post processing stage which also has its own workflow. Whatever is your workflow, consistency is an important factor that needs to be considered with regards to post processing.

Once you have created an effective workflow that works best for you, stick with it! This will ensure that you handle your images the same way each time.

A workflow that is convenient for another person or myself, might not work for you or another photographer. So create your own! But, you can pick up ideas from others.

One also needs to consider the fact that there are various types of software used by different photographers to post process images. The one that we will be focusing on today is Adobe Photoshop.

When it comes to post processing, you do not randomly drag sliders to achieve the effects that you need, but follow a neat workflow.

Also, when post processing, you do not randomly select images – you go through the process of backing up, culling, rating, tagging, keywording, copyrighting, then post processing and exporting. So all these come under the post processing workflow!

Here Is The General Photography Workflow

A general photography workflow that most photographers follow is similar to the one below. Depending on projects, tasks or client requests, the workflow may slightly vary for each photographer and genre.

You need to focus on the following:

  • Camera settings
  • Gear setup
  • Capturing the images
  • File transfer or backing up the images

Camera settings, gear setup and capturing the images

When shooting images, at least try to choose the right exposure settings, metering modes and temperature. You can otherwise get them right in post, if you shoot raw. Adobe has a powerful Camera Raw option that can be used to efficiently post process the images. So the best bet would be to shoot raw, to be on the safe side. Raw images have so much information in them that you can pull out many details.

Image by JACK REDGATE

File transfer / backing up

Once the photographing part is done you need to transfer your images and back them up. Transferring files to the computer can be done efficiently / easily with the use of a card reader. Some people may connect the camera directly to the computer, but this is a slow process and it can drain your camera’s battery.

Quick tip: Always safely remove/eject the card to avoid errors or your card getting corrupted.

The next process after copying is backing up the images you have carefully composed and captured. Everyone has their own way of doing this. Some people have a back up on DVDs, some on external Hard Disks and some on cloud storage. Whatever be your method, just do it before you format your memory card.

Once all the above processes are complete, you can focus on the post processing part and here is where the actual workflow starts!

Photoshop Post Processing Workflow

For a photoshop post processing workflow, it is about how we go from a raw file to a final edited image. You need to have a clear structure in mind about how you want to go about the whole process, and this will allow you to be more creative. You need to think about what you need to do first, for example contrast adjustments or colour correction.

A complete workflow comprises of a few stages that involve a bunch of tasks to be performed at each stage.

Importing, culling and rating images

This is a very important step and crucial for an efficient workflow, especially if you shoot a bunch of images (few hundreds to thousands). Import your images into your post processing software to get them ready to be processed.

For Photoshop, import the images in Adobe Bridge. Delete the images that you think are not usable; for example out of focus, under or overexposed, badly composed, etc.

Now that you have a set of images that are useful you can rate them. You can either use star rating or use different colours to flag the images depending on purpose.

To rate the images: While you are in Adobe Bridge, in the folder which is ready for culling -> Hit Spacebar -> and tap any number between 1 to 5 for rating.

If you are ready to go straight to post processing from here, then hit spacebar -> Hit Enter to take these images to Photoshop or Camera Raw.

Tagging, keywording and copyrighting

Once you have culled and rated your images, the next step is to apply your copyright information and keyword search information to your images. Since the images are yours, just create a metadata template which has your copyright information.

To create a metadata template,

File -> File info -> Metadata dialogue box opens.

File -> File info

Add copyright information and any additional metadata information that you want to apply to the image and click “OK”.

Enter copyright and keyword information.

To apply your copyright information,

Select the images in Adobe Bridge -> Go to Tools -> Append Metadata. This will apply your copyright information to the image.

If you want to replace metadata, “Replace Metadata” option will help you accomplish that.

A quick Tip: Adobe Bridge can be very slow when loading thumbnails and metadata information from a folder that has many RAW files. Here is something that you can do during the first import, to save time. It is the “Export Cache” option.

Tools -> Cache -> Export Cache and save this information in the folder.

Next time you open up this folder in Adobe Bridge, it will be much quicker as it will collect information from the saved cache file.

Pre-visualisation

Do you wish to speed up your post processing and save time? Well, then pre-visualisation is something that will help you although not always possible.

If you have captured something on purpose, with an idea in mind and know what you want out of your images, then you can quickly make these adjustments while post processing. Pre-visualise the colours you wish to have, exposure, contrast, mood and sharpness settings and anything you wish to change in the image. Just work through them quickly when post processing.

In the process below, you can see how an image can be improved with a few adjustments in Camera Raw within 5 minutes.

Post Processing

A normal post processing workflow should look something like below:

The post processing part is the major step, where you will be fine tuning your images and getting them ready for export or to be printed. Open up or import the images based upon your rating into Adobe Camera RAW.

Note: If you are not shooting raw, then you should start doing it because raw files contain all the information you can work with so you can get the best output. Also, you need to make the basic adjustments in Camera Raw before importing the images into Photoshop because it gives you all the necessary sliders that you can easily work with!

The first step would be to straighten the image if required and crop to get the right composition. Also clean up any distracting spots, elements, dust specks, etc. in the image.

Adjust the colour temperature and tint if they seem incorrect or awkward.

Since it is a golden hour image, a warm temperature will work well. Slightly increase the temperature. Image in screen by signature edits

Next, adjust the exposure, highlights, shadows, whites and blacks. Adjust the clarity if required and then work with the vibrance and saturation sliders. Making these basic adjustments will itself bring a huge improvement to your images.

Make basic adjustments like exposure, contrast, highlights, shadows, whites, blacks, clarity, vibrance, etc. Image in screen by signature edits

Next adjustment would be using the tone curve especially for landscapes, where you can adjust the highlights and shadows to bring some contrast and depth to the image.

Play with the tone curve to get a good tonal range and colours. Image in screen by signature edits

Again, if you are working with landscape images, your next step should be using graduated filters so that you can bring out details and colours in the sky.

Or if the foreground looks dark and dull, you can bring out details in the foreground using this filter and then make changes to basic adjustments like exposure, shadows, highlights, vibrance, etc.

Using gradient filter for the foreground. Image in screen by signature edits

If there are specific areas that need local adjustments, use the brush tool.

Use the brush tool to bring out details in the dark areas. Image in screen by signature edits

If you do not want to make these adjustments here, you can also do it after you open the image in Photoshop with the help of layer masks.

Use the HSL panel to fine tune colours in the image. Using the lens correction panel you can make adjustments to distortions and also remove or add vignetting. This depends on what you have visualised for your final image.

Make adjustments to Saturation in HSL panel and apply Lens profile correction if necessary. Image in screen by signature edits

Note: Camera RAW has all these basic panels discussed above with sliders that can be applied to the image, but if you wish to make basic adjustments in Lightroom, do that and then import your images to Photoshop.

Once all the adjustments are made in Camera Raw, click on “Open Image” and it should open the image in Photoshop.

Open image in photoshop for any further post processing required. Image in screen by signature edits

As much as possible, use layers and Adjustment Layers while working on Curves and HSL, dodging, burning, etc. There is a whole lot you can do with adjustment layers.

Adjustment Layer options

Curves are very important tool that can help get the correct tonal range in your images. You can also apply curve settings to specific areas of the image using layer masks. And of course you have the option to play around with individual colour channels here.

Experiment with different Blending Modes for different moods in the images. These modes have control over how the current layer blends with the layers beneath it.

Different blend modes

Adjust the opacity of layers to fine tune the effects of layers and get the right look/feel in the images.

Once the adjustments are done, finishing touches like sharpening and removing noise can be applied. Also, crop the image to the desired composition if you haven't done it and remove unwanted distracting elements and dust specks. Photoshop has highly efficient tools that will help you remove unwanted elements from a scene.

Before exporting your image, zoom in to 100% and check every part of the image for any errors, distractions or other issues as these can show up and look awkward in the final image or print.

Exporting, printing and delivering

The images then need to be exported in the required size, ready for delivery to the clients or for printing purposes. You have to be careful with the colour profiles and formats when you export for various purposes like online sharing, printing, etc.

Also, do not forget to back up your exported files!

Image by HarinathR

When you are a beginner in post processing, it can take a lot of time to fully understand the various steps involved in it and it can feel quite daunting. With experience, your focus should shift to creating your own workflow, saving time and enjoying more time behind the camera and not in front of the screen.

Do you have a particular post processing workflow that you follow and find it efficient? Share it with us in the comments section below!

Further Resources:

Let's block ads! (Why?)


Light Stalking https://ift.tt/2GkkuT7

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

29. September 2020

4:18:00 AM

Das Bild des Tages von: Ecka Lindmark


kwerfeldein – Magazin für Fotografie https://ift.tt/3l2IJ7r

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

Monday, September 28, 2020

Landschaftsfotografie in Deutschland

10:18:00 PM

Leuchtturm im Sonnenuntergang

Ein Beitrag von: Heinz Wohner

Lehrbücher zum Thema Landschaftsfotografie werden oft mit Bildern exotischer Reiseziele wie dem Grand Canyon, Patagonien, Island oder den Lofoten illustriert, so dass man gelegentlich den Eindruck hat, wirklich gute Bilder könnten nur in unberührten Landschaften weitab unserer mitteleuropäischen Regionen entstehen.

Das wollte ich ändern und zeigen, dass man für großartige Landschaftserlebnisse nicht unbedingt in die entlegenste Ferne reisen muss, denn beeindruckend schöne Landschaften liegen oft buchstäblich vor unserer Haustür.

Mein Buch „Landschaftsfotografie in Deutschland“ sollte ein Fotolehrbuch werden, das die technischen und gestalterischen Grundlagen der Landschaftsfotografie einfach sowie leicht verständlich erklärt und gleichzeitig ein Reiseführer zu den attraktivsten Regionen Deutschlands ist.

Kreidefelsen raken ins Meer

Kreidefelsen, Rügen, Ostsee, Mecklenburg-Vorpommern

Nun ist es erschienen und ich habe viel Zuspruch bekommen, aber auch Kritik. Viele übernehmen gern meine Anregungen, manche halten das Aufzeigen von konkreten Standpunkten für Fotos aber auch für unverantwortlich im Hinblick auf den Naturschutzgedanken. Ich nehme das sehr ernst, gerade weil ich es im Buch selbst schon thematisiert habe.

Deshalb würde ich gern auch hier eine Diskussion dazu anzustoßen, wie wir als Landschaftsfotograf*innen mit der Natur umgehen. Ob sie nur „Material“ für schöne Bilder für uns ist oder ob wir auch eine Verantwortung ihr gegenüber empfinden. Wie wir uns in der Landschaft verhalten, was wir für ein Foto zu tun bereit sind oder was wir aus Rücksicht besser unterlassen. Geht es uns nur um die Bilder oder auch um das Landschaftserlebnis?

Beim Naturschutz machen wir einen ganz einfachen aber entscheidenden Punkt schon durch die Bevorzugung von „Nahzielen“. Auch wenn wir in der aktuellen Corona-Situation gerade sowieso auf weite Reisen verzichten müssen: Ich war eigentlich schon immer der Meinung, dass es förderlich für die Verbesserung des persönlichen ökologischen Fußabdrucks ist, der Erkundung der nächstgelegenen Landschaften unserer Heimat mal den Vorzug zu geben vor der Fernreise nach Neuseeland oder Amerika.

Blühende Heide

Lüneburger Heide, Niedersachsen

Genau dazu möchte ich deshalb ganz besonders anregen: nicht in die Ferne zu schweifen, sondern Lieblingsplätze in der eigenen Region zu finden, die ohne Aufwand und weite Anreise leicht zu erreichen sind, die man immer wieder aufsuchen und fotografieren und ihnen dabei auch immer wieder andere Aspekte abgewinnen kann. Es muss keine dramatische Szenerie oder Kulisse sein, nicht das aufgewühlte Meer oder die grandiose Gebirgskette.

Eine schöne Waldlichtung, eine Wiese voller Wildblumen, eine Baumgruppe, ein kleiner See – all das sind Motive, die fast überall zu finden sind und eine fotografische Beschäftigung lohnen. Und solche Plätze haben einen ganz entscheidenden Vorteil: Man hat sie meist ganz für sich allein und kann sich ihnen ganz in Ruhe widmen, ihren besonderen Zauber spüren und erfahren. Am wichtigsten ist dabei ganz einfach die Zeit, die man sich für solche Landschaftserlebnisse nimmt.

Waldsee

Moorsee im Roten Moor, Rhön, Hessen, Deutschland

Es muss nicht unbedingt der Eibsee sein mit der Zugspitze dahinter, die Burg Eltz in der Eifel oder die Basteibrücke im Elbsandsteingebirge. Wie wäre es mit dem kleinen Moorsee im Roten Moor in der hessischen Rhön? Ein unspektakulärer, aber eben deshalb wunderschöner Platz. Solche landschaftlichen Kleinode finden sich nahezu überall in Deutschland und wer dort einmal einen stillen Morgen verbracht hat, wird gern wiederkommen und immer andere Stimmungen vorfinden.

Noch vor dem Fotografieren steht für mich das bewusste Erleben dieser Stimmungen, weil das die eigentliche Basis für ausdrucksstarke Bilder ist. Und zu diesem Landschaftserlebnis gehört dann auch ganz selbstverständlich dazu, dass ich mich entsprechend rücksichtsvoll verhalte, mich sensibel durch die Landschaft bewege und alles unterlasse, was zu Störungen und Beeinträchtigungen führen könnte.

See im Grünen, im Hintergrund ein Bergmassiv

Blick über den Geroldsee zum Karwendel, Bayern, Deutschland

Anders erlebe ich es manchmal an den fotografischen „Hotspots“, zu Ikonen gewordenen Ansichten, die man immer wieder sieht. Die hat es zwar schon immer gegeben, doch hat sich dort in den letzten Jahren unter anderem durch Social-Media-Plattformen wie Instagram etwas verändert: An gewissen Orten scheint man als Fotograf*in offensichtlich unbedingt gewesen sein und dies auch durch Selfies mit Partner*in ausgiebig dokumentiert haben zu müssen.

Ich möchte das nicht kritisieren, doch wenn man an manchen Plätzen inzwischen das Gefühl hat, für ein Foto „Schlange stehen“ zu müssen, kann von einem Landschaftserlebnis meiner Meinung nach nicht mehr wirklich die Rede sein. Es scheint dann vorrangig um das Ablichten einer bestimmten Szenerie und um das Abhaken einer „Bucket List“ zu gehen – die Gefahr ist groß, bei anderen gesehene Bilder einfach nachzuahmen.

Wenn dann beim Ringen um das ersehnte Top-Foto Wiesen platt getrampelt, störende Zweige abgeknickt werden und am Ende womöglich auch noch der Müll liegen bleibt, hat der Naturschutz natürlich verloren. Es ist sicher nur eine ganz kleine Minderheit, die sich so verhält. Doch welche Konsequenzen ziehen wir daraus?

Bergsee

Schrecksee, Allgäu, Bayern

Manche verantwortungsvolle Fotograf*innen verzichten deshalb ganz bewusst auf konkrete Ortsangaben bei ihren geposteten Bildern. Das ist ganz bestimmt eine gute Möglichkeit, weniger bekannte Spots vor zu großem Andrang zu schützen, vor allem, wenn sie in empfindlichen Naturschutzgebieten liegen. Es hat aber für mich jedoch leider manchmal auch einen leicht elitären Beigeschmack, als würde man das Erlebnis und das Bild nur für sich haben wollen.

Natürlich ziehe auch ich das Erlebnis eines einsamen Morgens irgendwo in der Landschaft einem überfüllten fotografischen Hotspot vor und überlege dann auch, ob es nicht besser ist, diesen einsamen Platz auch einsam und unberührt zu lassen, statt fotografisch auf ihn aufmerksam zu machen. Aber ich denke dennoch, dass es nur ganz wenige sind, denen es nicht in erster Linie um das Landschaftserlebnis, sondern nur um das Bild geht und die ihrem Bild dann gedankenlos alles andere unterordnen.

Ich setze doch ganz stark darauf, dass wir Landschaftsfotograf*innen das, was wir schön finden und gern fotografieren, auch wirklich lieben und entsprechend behandeln. Dafür möchte ich hier ganz eindringlich werben und dann führe ich gern zu schönen Plätzen überall in Deutschland.

Buchcover

Informationen zum Buch

„Landschaftsfotografie in Deutschland“ von Heinz Wohner
Sprache: Deutsch
Einband: Hardcover
Seiten: 300 Seiten
Maße: 25,1 x 25,5 cm
Verlag: dpunkt.verlag
Preis: 34,90 €


kwerfeldein – Magazin für Fotografie https://ift.tt/3kPz5ES

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

About Us

Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque

The lens in focus

“Life is like a camera. Just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot.” — Unknown

TIME TRAP PHOTOGRAPHY COPYRIGHT 2016