Getting Started with Narrow Depth of Field Photography

An up close view of an organ pipe cactus by Sarah Marino.

Using narrow depth of field is one of my favorite ways to create abstract renditions of subjects in nature, including plants, cacti, and leaves as you will see featured in this post. Using narrow depth of field essentially means working with a very narrow slice of focus. When you photograph a flower using high depth of field, the resulting photo will feature a realistic rendition of a flower. On the other hand, using  narrow depth of field helps take an everyday subject and transform it into a study of colors, lines, shapes, textures and other abstractions. This type of photography is also a lot of fun because it involves experimentation and can often product surprising results.

A Quick Primer on Aperture and Depth of Field

Aperture is the technical term that refers to the size of the hole allowing light through your lens. Selecting different apertures helps a photographer control the depth of field in the resulting photograph with depth of field referring to the zone of a photograph that appears to be in sharp focus. A large f-number, like f/16, refers to a small hole and translates into greater depth of field, with more of the subject appearing in focus. A small f-number, like f/2.8, refers to a larger hole and translates into less depth of field with less of the subject appearing in focus.

Here is an example of the same subject photographed at f/16 and at f/2.8, both RAW files with no adjustments. You can see that the photo on the top shows a much deeper depth of field with more of the scene in focus. On the bottom, the scene has significantly less depth of field with only a small slice of focus.

These sample photos show the difference between a photo taken at f/16 (top) and f/2.8 (bottom).

Here are four tips for getting started with low depth of field photography:

1. Start with a Small F-Number, like f/2.8 or f/4

The first step in taking photographs with narrow depth of field is setting your aperture to the smallest f-number for your lens. This is the most important step in starting to experiment with narrow depth of field. For example, when I am photographing plants using narrow depth of field, I will often set my camera to aperture priority and choose f/2.8 on my Canon 100mm macro lens. Like I discuss below, I often handhold my camera when taking the kinds of photos featured in this post. By using aperture priority and selecting an appropriate ISO for the situation, I can let my camera do most of the work in selecting the exposure settings so I can focus more of my attention on things like focusing and composition.

Small, colorful willow leaves in the fall by Sarah Marino.

2. Try Hand holding Your Camera

While I almost always photograph using a tripod, taking the types of photos featured in the post often requires laying on the ground, standing in an awkward position, and getting quite close to my subject. In these cases, it is sometimes impossible or too cumbersome to use a tripod, so I increase my ISO and handhold my camera. This allows me to make very fine adjustments to my focus while constantly looking through my viewfinder. This approach also makes experimentation a lot easier since it is quicker to move around. With the exception of the photo of aspen leaves, I handheld my camera for each of the photos included in this post because using a tripod in each of these scenarios would have been difficult.

The spines of a colorful yucca plant by Sarah Marino.

3. The Focus Point Can Make a Big Difference

When you are working with very thin slices of focus, a tiny change can make a big difference in the feel of the resulting photograph. Thus, it can be helpful to experiment with different focus points to see which result you like the best. When you are starting to experiment with narrow depth of field, spend some time working with a single subject. Slowly move your focus ring on your lens and observe how much the result changes based on what part of a subject is in focus. Take sample photos at each of these focus settings and compare your results on a larger monitor to see what you like and do not like. This kind of practice will help you learn how choosing your focus point is essential when using narrow depth of field, and can often result in happy surprises when you see a subject rendered in an interesting and unexpected way.

The radiating seeds of a salsify plant by Sarah Marino.

4. Experiment Extensively

It took a lot of practice for me to start getting good results when I started experimenting with narrow depth of field. At the time, I had a garden of perennials in my backyard. Without any goals in mind, I would go out into my yard and practice for a few hours at a time. I tested out different lighting conditions and learned what types of backgrounds can work best (often simple, shaded, and fairly uniform in color). I also practiced with focusing and handholding to improve my technique. Over time and with hundreds of failed exposures for practice, I started to understand what approaches worked best and was able to begin developing a portfolio of photos like those you see here. These photos do not come easily so do not get frustrated with early failures. Instead, learn from the experience and apply what you learn to improve.

An unusually colorful section of aspen leaves in Colorado.

 Please Share Your Tips

Do you have some tips for getting started with narrow depth of field for nature photographers? If so, please share your tips below and thank you for reading!

About Author Sarah Marino

Sarah Marino is a landscape and nature photographer from Colorado. She strives to capture photographs that convey the elegance, beauty, and the awe-inspiring qualities of the landscapes she explores during her travels. In addition to grand landscapes, Sarah’s portfolio also includes a diverse range of smaller subjects including plants, trees, and abstract natural subjects.

In addition to selling prints and licensing photographs for commercial use, Sarah, with husband and fellow photographer Ron Coscorrosa, is the author of three well-received ebooks on landscape photography. These ebooks include Forever Light: The Landscape Photographer’s Guide to Iceland, Desert Paradise: The Landscape Photographer’s Guide to Death Valley National Park, and Beyond the Grand Landscape: A Guide to Photographing Nature’s Smaller Scenes.

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