Sunday, February 5, 2017

How to Tutorial: Shooting in Low Light Without a Tripod – 3 Solutions

Share on Facebook
Share on Twitter
Pin to Pinterest

Shooting in Low Light Without a Tripod – Simple Solutions to a Common Problem

The golden hour and the blue hour are amongst the very best times for shooting. The light casts long soft shadows before slipping gently into the cerulean colors of twilight.

shooting in low light without a tripod

Image by revac film’s&photography

Of course, the gradual reduction in the intensity of light means a gradual reduction in our shutter speeds too. This can lead to problems with camera shake – i.e. blur in your images.

The obvious solution to this is to use a tripod, but I am sure that like me, many of you get caught in this beautiful light without your three legged friend. So what can you do? Let’s have a look at some of your low light options if the tripod is gathering dust at home.

Beautiful shot but can you do this without a tripod? By Roman Boed

Number One, Try Increasing Your ISO

This is often the first course of action. Increasing the ISO increases the sensitivity of your sensor and allows you, in turn, to increase or maintain your shutter speed. The trade off is of course quality. As ISO increases, so does image noise eventually to a point where the image is unusable.

Camera’s low light capabilities have improved immeasurably over the last few years. It is possible to hand hold in extremely low light and get acceptable images. The key point here though is acceptable, whilst the shot might be good for a quick glance on your computer screen, it may not hold up to more detailed scrutiny.

Learn the limits of your camera’s ISO. By Paulo Valdivieso

Widen Your Lens’ Aperture

Another way to get better low light images is to increase the amount light hitting the sensor. Seeing as we’re trying to avoid longer shutter speeds, another alternative is to use a wider aperture.

As with increasing ISO, there is a trade-off. If you are looking for a deep depth of field, you are going to have to sacrifice that to “get the shot” I’m afraid. You are also going to need a lens that has a wide aperture, a so-called fast lens. These are usually f/2.8 and faster.

Most kit lenses do not fit into the fast lens category but it is possible to pick up fast primes for a good price either new or secondhand. A perfect example of this might be a 50mm f/1.8 – many manufacturers produce this particular lens.

This may well give you an extra three to four stops of shutter speed over a standard kit lens. That can make all the difference when shooting in low light without a tripod.

Use a fast lens. By Soe Lin

Consider Using Image Stabilization in Low Light

There are two main types of image stabilization in use today, in camera and in lens. Companies like Nikon and Canon use stabilization built into certain lenses, whilst others actually stabilize the sensor to allow for lower shooting speeds.

The general thought is this, lens stabilization has a slight advantage in terms of the number of extra stops it gives you. The downside is that you need to buy dedicated lenses for it to work.

You will need to switch stabilization on, either from a switch on the side of an appropriate lens or via the camera’s menu system. It will give between 3-4 stops extra speed for shooting before camera shake comes into play.

For example,

If you’re shooting a 28mm lens, the minimum handheld shooting speed would be around 1/30th of a second. With image stabilization, this would drop to 1/4 to 1/2 second.

As a side note, if you are going to use some solid support as discussed next, you should switch off image stabilization.

Image stabilization is a very useful tool. By Alex Massengale

Your Technique. Your Stance. And External Support

The last area we can improve our chances of a good shot involved any or all of three techniques.

  • Firstly is the way you hold the camera and press the shutter. For maximum hand-held stability, grasp the camera lightly and tuck your elbows into your sides so that you form a triangle.

When pressing the shutter, use a smooth slow press rather than jabbing at it.

  • Stance is also very important. Like with your arms, keep your legs apart a little, again forming a triangle.
    Keep your knees very slightly bent, this avoids you locking your knees and projecting any small tremors into your camera. If there is a wall or other solid object nearby utilize that, effectively making a third leg.
  • Lastly, external support. This could be a wall, a park bench or even your own camera bag. You can utilize anything that has solid contact with the ground as a support for your camera.
    The way you press the shutter is important when doing this, again a slow steady press will benefit you more than jabbing at it.

Use your surroundings as a support. By Hernán Piñera

Summary

All these techniques will allow you to gain some stability when shooting in low light without a tripod. Be prepared to check your images carefully on the LCD, zooming into 100% to check sharpness.

You can use combinations of the above techniques to increase your chances of a good shot, for example, a higher ISO and image stabilization.

Low light is one of the best times to take photos, don’t miss out just because your tripod is sitting at home.




Shooting in Low Light Without a Tripod – Top Takeaways

  • Grab yourself a fast lens to take advantage of wider apertures. This doesn’t mean a Nikon or Canon 24-70 f/2.8, we’re talking a 50mm, 35mm or a 28mm prime (as examples). You can read about how primes will help you improve your photography.
  • If you see something solid or sturdy, use it to prop yourself – i.e. your arms on a low wall.
  • If your lens or camera (or both) has image stabilization, learn the benefits of using it and give it a try – you may just notice a huge improvement in your photos with minimum effort!

Further Resources

Further Learning

Understanding Light is absolutely essential – as photographers we all know it, there’s no getting around this one.
So, just for the readers, we have an excellent and comprehensive Guide for you: Fantastic Fundamental Light Skills“The fast and easy way to develop a fundamental understanding of light so you can take better photos!”

Share on Facebook
Share on Twitter
Pin to Pinterest
The following two tabs change content below.
Profile photo of Jason Row
Jason Row is a British born travel photographer now living in Ukraine. His images have been licensed to companies such as Cunard, Ethiad and Virgin Atlantic as well as multiple newspapers and magazines. As well as shooting stills he is now creating travel stock video in 4K. He maintains a travel stock photography site at Jason Row Photography You can also catch up with him on Facebook at Facebook/TheOdessaFiles
Profile photo of Jason Row

Latest posts by Jason Row (see all)

Let's block ads! (Why?)


Light Stalking Photography Blog and Community http://ift.tt/2kfJM7e

Sourced by Time Trap Photography sharing the best photography tips, news and tricks throughout the industry. Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque
Please visit our main site for booking availability and rates.



"Time


Receive valuable industry knowledge delivered free to your email each day.


"Time

No comments:

Post a Comment

Thank you so much for your comment. A moderator will review and approve all relevant posts. We appreciate your support and encourage you to stay with us by subscribing to our email updates. Where you can easily pick and choose what photography subjects interests you. Subscription link: http://bit.ly/photo-sub

About Us

Time Trap Photography is dedicated to freezing those special moments in life that can be revisited and admired for generations to come. - Shannon Bourque

The lens in focus

“Life is like a camera. Just focus on what’s important and capture the good times, develop from the negatives and if things don’t work out, just take another shot.” — Unknown

TIME TRAP PHOTOGRAPHY COPYRIGHT 2016