In this article, I would like to share some etiquette guidelines for photographing in a public places such as botanic garden. Nature photography as a hobby is more popular and more accessible than ever before. As photographers, we have the privilege of capturing some of the most beautiful locations the the world, including some spectacular botanic gardens. We also have the responsibility to help protect and respect the places we photograph. We’ve all seen the news stories – the sunflower farms being overrun by nature photographers, the super bloom of wildflowers in the west being trampled by eager crowds seeking photographs, the farmers of lavender fields in Provence hanging banners saying “Respect Our Work” in response to photographers trespassing, damaging fields and picking crops. Do these same issues apply to botanic gardens where many nature photographers come to photograph the beauty of nature? You bet they do!
Global tourism has reached an all time high and nature photography in botanic gardens has also grown tremendously over the years. This is wonderful for the gardens, as it brings increased revenue to support the gardens and helps further educate the public about the importance of nature and the environment. Many botanic gardens do important scientific research aimed at understanding and protecting the plants so important to us. The green space gives us all a place to de-stress, unwind and be in nature. The beauty and inspiration of a garden is there for everyone that visits to enjoy, making it important that we all do our part to preserve that beauty and do no harm.
As tempting as it might be to capture those sunflowers at the back of the garden, do not step into a garden bed. Please stay on the path – Chicago Botanic Garden by Anne Belmont.
Most photographers I have worked with and most visitors to gardens show great respect for the gardens. I have on occasions, however, witnessed behavior that dumbfounded me. As gardens have more visitors, the incidents have grown. I have seen people walk into the middle of densely planted garden beds to get a closer shot of flowers in the back, damaging flowers in the process. I have witnessed people laying down or sitting in a bed of flowers to get an image of themselves surrounded by flowers. I have watched parents put their baby in the a bed of flowers for a photo, while the baby innocently pulls up all the flowers around them. I have watched flowers being removed from a scene because a photographer didn’t want them in the composition. I have watched as photographers risked their safety and pushed aside construction barricades, ignoring signs, all to capture a single flower in bloom in a closed garden area.
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Keep paths accessible for other guests, especially those with handicaps – Longwood Gardens by Anne Belmont.
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Check tripod policies, as they vary from garden to garden. Conservatories and indoor flower shows may restrict tripod use – Chicago Botanic Garden Orchid Show bu Anne Belmont.
As someone who has done much of my nature photography in a botanic garden, I have come to know the staff and horticulturists that work at the garden where I photograph most often, Chicago Botanic Garden. I am fortunate to live very close to this garden, making it a wonderful place for me to capture the beauty of nature. By taking the time to develop those relationships and learn from the staff, my respect for their dedicated work has grown deeply through the years and led me to understand that no photograph is worth damaging the careful work they do. Horticulturists are passionate about what they do and are eager to share that passion with visitors. Learning more about the subjects we photograph only serves to deepen our relationship with and respect for our subjects and, I believe, is reflected in our work.
Do not alter a scene to suit your needs. Removing a few dead leaves or sticks, especially in early spring, is fine – Macro Photography by Anne Belmont
I have had many discussions with garden staff and horticulturists about what we can do as nature photographers to be respected and seen as an asset to the garden, rather than a nuisance. With those discussions and some research into various garden guidelines for nature photography, I have compiled the following list:
- Stay on the path or mowed lawn areas. Do not enter flower beds, plant displays, mulched areas or areas with ground cover. Walking through beds can seriously affect growth of plants and there may be delicate plant life below the surface of mulch about to emerge.
- Keep tripods on the path and out of plant beds. It is often tempting to put tripods into flower beds to get closer to a subject, but it will do damage to plants. If you can’t reach a subject, use a longer lens or choose subjects closer to the path.
- Check the tripod policies of each garden you visit as they may vary from garden to garden. Some gardens allow tripods anytime outdoors but may have restrictions for indoor greenhouse or conservatory use. Tripod use at special flowers shows, such as the popular dahlia shows or orchid shows may be prohibited or limited to special hours. Most botanic gardens post their tripod policies online or it is easily obtained by calling the garden.
- Keep paths accessible for all guests, being careful not to block paths with tripods and other equipment. Be especially vigilant for handicapped individuals that might need more space to navigate a pathway.
- Do not alter a scene to suit your needs. Leave deadheading or clipping any plant material to the horticulturists. Carefully removing a few dead leaves or sticks from a small scene in the early spring is fine, but larger clean-ups are the job of staff.
- Using clothespins or clamps to move plant material out of the way is usually allowed in gardens as long as you are gentle and not damaging the plant in any way. If you are using printed backgrounds on boards to provide a simple background for your subject or diffusers to soften the light, be gentle and place them carefully. Using backgrounds of any kind at flower shows and with more delicate flowers like orchids is usually not allowed. Save that for your shooting at home.
- Do not remove plant ID markers. This is one of the biggest pet peeves of horticulturists about photographers. Often photographers will move a marker out of their photo and place it to the side or put it somewhere it doesn’t belong. One horticulturist relayed a story to me of how such an act took him three hours of research to figure out which variety of echinopsis the stray marker belonged to. If a plant ID marker is in your way, choose another subject or move in closer to eliminate the signage.
- Lastly, practice patience. If there are people in your shot, don’t ask them to move. They have just as much right to be in the garden as you do. If you wait, they will move on. Shooting early in the morning or late in the afternoon will help you capture larger garden scenes without the crowds, and light is often better during those times, as well.
Practice patience. I waited about 30 minutes for everyone to step out of my frame to get this image on Mother’s Day, one of the busiest days of the year. Chicago Botanic Garden by Anne Belmont
By following these simple nature photography guidelines we not only improve the relationship photographers have with the gardens they visit but we also ensure that tighter guidelines will not be put into place that would limit our access to opportunities to photograph. These guidelines are composed with the nature photographer in mind. Portrait and wedding photographers have other guidelines that need to be observed while doing photoshoots within botanic gardens.
Get out and enjoy the beauty gardens bring to our lives, always remembering and respecting the hard work by both the staff and mother nature.
About Author Anne Belmont
As a nature photographer specializing in flower photography, Anne’s passion lies in capturing the beauty of flowers and other botanical subjects up-close. It is the small, often unnoticed details that draw Anne to her subjects. It is her belief that if we slow down and look at nature in a more contemplative way, we will find subjects that convey impact and emotion, causing the eye to linger a little longer. A life-long involvement in the arts and a first career as an art therapist have shaped the way that she views art and the creative process and have reinforced her belief in the healing power of both art and nature in our lives.
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